In preparation of the film Harvest of Despair, which was produced by the Ukrainian Canadian Research and Documentation Centre, the interviews taken from witnesses, victims, scholars and journalists were quite lengthy (1–3 hours). Only a small portion of the filmed interviews was used in the film. The outtakes, which have been kept in the UCRDC archives, include invaluable and irreplaceable material, including interviews with such well -known witnesses as Malcolm Muggeridge, Petro Grigorenko, Olha Mak, and Vasyl Sokil and scholars such as James Mace. But the material exists in formats from the technology of the time, i.e. on 16 mm celluloid film. Accessing that material today is problematic as equipment and technicians able to do this are disappearing, to say nothing of the deterioration of the film stock over time. All the same, there is substantial interest in accessing the full interviews.
In 1980s filming, the images and sound were captured on separate channels and then synchronized. Furthermore, in the case of Harvest of Despair, the parts used in the finished film were cut out of the originals; for synchronization they have to be edited back into the originals and then transferred to new film that can be digitized for accessibility and long-term preservation. Yurij Luhovy, the editor of the original film, has helped the UCRDC examine the outtakes of the interviews and determined that such a restoration can be done. The material is irreplaceable. Harvest of Despair interviews were done with witnesses who had been adults during the Holodomor and are now deceased. Any interviews done more recently had to rely on the testimony of those who had been children in 1932-33.
In preparation of the film Harvest of Despair, which was produced by the Ukrainian Canadian Research and Documentation Centre, the interviews taken from witnesses, victims, scholars and journalists were quite lengthy (1–3 hours). Only a small portion of the filmed interviews was used in the film. The outtakes, which have been kept in the UCRDC archives, include invaluable and irreplaceable material, including interviews with such well -known witnesses as Malcolm Muggeridge, Petro Grigorenko, Olha Mak, and Vasyl Sokil and scholars such as James Mace. But the material exists in formats from the technology of the time, i.e. on 16 mm celluloid film. Accessing that material today is problematic as equipment and technicians able to do this are disappearing, to say nothing of the deterioration of the film stock over time. All the same, there is substantial interest in accessing the full interviews.
In 1980s filming, the images and sound were captured on separate channels and then synchronized. Furthermore, in the case of Harvest of Despair, the parts used in the finished film were cut out of the originals; for synchronization they have to be edited back into the originals and then transferred to new film that can be digitized for accessibility and long-term preservation. Yurij Luhovy, the editor of the original film, has helped the UCRDC examine the outtakes of the interviews and determined that such a restoration can be done. The material is irreplaceable. Harvest of Despair interviews were done with witnesses who had been adults during the Holodomor and are now deceased. Any interviews done more recently had to rely on the testimony of those who had been children in 1932-33.